Roman |
Subtractive
notation of
Roman numerals,
like
IV, IX, XIV, XIX, XL
evolved over time from an ancient mostly additive system and
became more popular after the invention of the printing press.
Although its use was inconsistent in ancient times and during the
Middle Ages. |
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EARLY DIALS AS AN INTRODUCTION ![]() |
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![]() England ca.1370 |
![]() All additive except for XIX. ![]() ![]() All ancient except for IX and XIX. ![]() Venice 1499. |
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The shorter subtractive notation enabled better spacing on clock dials and facilitated the inclusion of half-hour markers, making it easier to read the time more accurately.
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Like the earliest 24-hour public clock dials, early 12-hour dials employed the ancient additive system as well. However, the lengthy VIIII usually gave way to the compact IX, thus avoiding crowding with VIII and visual imbalance with the opposing III. Other imbalances, such as VII–V, IIII–II, VIII–X, proved unavoidable2. ![]() |
![]() Custom images for comparison ![]() |
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A rare occurrence of an ancient additive VIIII on a 12-hour chapter1 Udine c.1527 |
![]() Piazza della Liberta |
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Compared
with the older additive form IIII, the subtractive IV was
not much used. However, it does appear on several dials. |
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![]() Paul Lewis |
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![]() Quittenbaum |
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![]() Carter Marsh |
It was also found on exclusive clocks with a
month going movement and Roman striking, an
energy efficient system in which the number of chimes corresponded to the Roman
numeral itself. |
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ROMAN NUMERALS ON DIALS THROUGH THE AGES ![]()
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![]() Rue du Gros Horloge |
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![]() Wells Cathedral |
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![]() ![]() The MET |
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![]() La Misura del Tempo |
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![]() Bonhams |
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![]() Museum Boerhaave |
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![]() Easy live Auction |
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Another 'Italian time'3 late 17th c. lantern clock dial, displaying 'sunset hours' within the first quarter of the chapter1 whose divisions are not entirely evenly spaced. The crude engraving lacking the refinement of a skilled hand, |
![]() J.Venema |
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![]() Carter Marsh |
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![]() Carter Marsh |
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![]() Sotheby's |
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![]() Mentink & Roest |
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![]() La Pendulerie |
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A mid-18th-century Italian lantern clock dial
featuring a quarter chapter |
![]() Bonhams |
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![]() Gude Meis |
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![]() La Misura del Tempo |
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![]() La Pendulerie. |
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![]() The Antique Clock co. |
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![]() La Pendulerie |
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![]() ![]() La Pendulerie |
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![]() Les Heures Revolutionnaires |
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![]() Gude Meis |
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![]() Mentink & Roest |
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![]() Quittenbaum |
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![]() Marjan Sterk |
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![]() Christie's |
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![]() Bonhams |
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![]() Christie's |
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![]() Ms Rau |
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![]() Gude Meis |
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Notes 1 Chapters. In a horological context, a chapter is the scale of divisions and markings -such as numbers or signs- used to read the time and related indications on a dial. These markings may be engraved, painted, printed or otherwise applied, either directly onto the dial or on attached elements like 'cartouches' or a 'chapter ring'. 2 Imbalances. Correcting the IIII–II imbalance would in turn create a new, albeit relatively minor, IV–VIII imbalance. 3 Italian 6-hour time. The temporal system emerged in the Middle Ages in the Papal States, rooted in monastic timekeeping and canonical hours. The day began about half an hour after sunset and was divided into four six-hour segments -evening, night, morning, afternoon-. Sundials already measured the sun’s course in two approximately six-hour spans -one before and one after the noon reference line (mid-day). By the late 18th and early 19th centuries, as standardization and modernization increased, the Italian six-hour system fell out of use in practical timekeeping. 4 French Revolutionary Decimal Time. A short-lived system introduced during the French Revolution (1793–1805) as part of a broader attempt to decimalize all aspects of daily life (calendar, measurements, currency, etc.). Each day was divided in 10 hours of 100 minutes. Here is more on decimal time. This article is subject to ongoing updates. |
https://en.wikipedia.org/wiki/Roman_numerals Acknowledgments Illustrations: Bonhams. British museum. Carter Marsh. Gude Meis. Joachim Köhler. Koller auctioneers. Guiseppe Brusa, La misura del tempo. La Pendulerie. Yves Droz et Joseph Flores, Les Heures Revolutionnaires. Mentink & Roest. Museum Boerhaave. Quittenbaum Kunstauktionen. San Domenico Bologna. Sotheby's. TheMET. Wells Cathedral.
The Horological Foundation gratefully acknowledges
Links |