Roman
 Numerals
 on
Clock Dials

Compiled by Fred Kats

          


Subtractive notation of Roman numerals, like IV, IX, XIV, XIX, XL evolved over time from an ancient mostly additive system and became more popular after the invention of the printing press. Although its use was inconsistent in ancient times and during the Middle Ages. 
While Romans initially preferred simpler
additive forms like IIII for four, subtractive forms such as IV were also used, especially in inscriptions. 
After the printing press's arrival, the more compact subtractive forms like IV and XL gained wider use in Europe, leading to the more standardized subtractive rules that are taught today. Although they were not universally applied even by the Romans themselves. 


* The compact substractive numerals         * The established ancient IIII
* The subtractive IV was rarely used         * Roman numerals on dials through the ages

      EARLY DIALS AS AN INTRODUCTION          

All ancient additive numerals  


1540    
Roman numerals on clock dials.

England ca.1370     


 All additive except for
XIX.



 All ancient except for
IX and XIX.

 Venice 1499.


The shorter subtractive notation enabled better spacing on clock dials and facilitated the inclusion of half-hour markers, making it easier to read the time more accurately.


However, only the subtractive IX was universally applied on standard 12-hour dials, while the subtractive IV was not.

Roman numerals on clock dials.



L
ike the earliest 24-hour public clock dials, early 12-hour dials employed the ancient additive system as well.

However, the lengthy
VIIII usually gave way to the compact IX, thus avoiding crowding with VIII and visual imbalance with the opposing III.

Other imbalances, such as

VIIV,  IIIIII,  VIIIX, proved unavoidable2.


              
Custom images for comparison
A rare occurrence of an ancient
additive VIIII on a 12-hour chapter1
Udine c.1527

Piazza della Liberta

The ESTABLISHED ancient IIII      

Heilbron c.1580

Subsidiary quarter chapters 1
Roman numerals on clock dials.
Subsidiary quarter dial
c. 1600

c. 1590

Central quarter chapters1

Prior to 1657, mechanical timekeeping technology was notoriously inaccurate, sometimes gaining or losing as much as half an hour. Within this context, quarter chapters1 were considered entirely adequate.


BBritish museum        

Employment of the standard ancient numeral IIII became further entrenched through its practical application on quarter chapter-rings1 of early public and domestic quarter-striking clocks. On such chapters, the sequence IIIIIIIIII correctly reflects the strokes on the quarter-bell, whereas IIIIIIIV does not.

  Click here for more about chapters1.

From the 16th century onwards, public quarter-striking clocks became increasingly common and offered a
24-hour audible timekeeping service for both outdoor and indoor use.
The hours and quarter-hours were marked by distinct chimes, making them easy to distinguish.


4-hour prayer clock dials


Roman numerals on clock dials.
Roman numerals on clock dials. Italian 4-hour dial.
A 4-hour italian clock.
Roman numerals on clock dials.
Roman numerals on clock dials.

It was only with the advent of precision pendulum clocks in 1657 that central minute hands, pointing to Arabic minute divisions on the chapter-ring1, acquired real significance.


The subtractive IV was rarely USED      
Compared with the older additive form IIII, the subtractive IV was not much used.
However, it does appear on several dials.

Subtractive IV on the dial
 of a public clock in San Sebastián, c.1740.

Subtractive roman numeral IV on the dial of a public clock in San Sebastián, c.1740.
Paul Lewis

Clock dial with
subtractive
IV,
20th c.
Palazzo del Sedile Matera.


Sundial with
subtractive
IV, ad 1509

Sundials divided daylight in two roughly 6 hour sections at either side of the 'noon centerline'


A subtractive IV on the dial
 of a public clock in Prague, 19th c.

Subtractive roman numeral IV on the dial of a public clock in Prague, 19th c.

Despite the dial’s narrow numeral cartouches, the compact subtractive IV proves an excellent fit, whereas the additive VIII does not.


Quittenbaum
Roman-striking
Carter Marsh

It was also found on exclusive clocks with a month going movement and Roman striking, an energy efficient system in which the number of chimes corresponded to the Roman numeral itself.

I’ = one stroke on a high bell,
V’ = one stroke on a low bell,
X’ = two strokes on a low bell.

At twelve o’clock the train strikes four times (V-V-I-I = XII); at four o’clock, twice (I-V).
The system requires only 60 strokes in 24 hours, against 156 on a conventional striking train. A considerable saving of energy, particularly for spring driven long-duration clocks.


ROMAN NUMERALS ON DIALS THROUGH THE AGES      
* 14th c.       *15th c. * 16th c. * 17th c. * 18th c. * 19th c. * 20th c.

An astronomical public clock dial, Padua c.1344 (1437).

Roman numerals on clock dials.

A public astronomical
clock dial, Rouen c. 1389.

A Roman numeral IIII on a public astronomical clock dial, Rouen c.1389.
Rue du Gros Horloge

An English turret clock dial
c. 1390.


Wells Cathedral
 
15th c.

An Italian public clock dial, featuring radially applied numerals configured to accommodate the extended numeral XXIIII,
San Giacomo di Rialto,
Venice, c. 1410.

Another Italian public clock dial with counter wise rotating hour hand, Florence c. 1450

A roman numeral IIII on an Italian public clock dial with counter wise rotating hour hand, Florence c.1450
 
16th c.

An astronomical public
clock in Brescia c.1540.
24-hour dials proudly show that mechanical clocks could keep time day and night—unlike sundials.

A German table clock dial
c.1560.

Quarter striking public clock dial, frescoed directly onto the wall of the Uhrturm in Graz, c.1569.

Roman numerals on the Uhrturm in Graz

A quarter chapter1 on the subsidiary dial of
 a late 16th c. German
 astronomical table clock.

roman numerals on a table clock by Jost Burgi
The MET

The dial of an 'Italian time'3 lantern clock c.1580, striking four 6-hour cycles per day. Its vertical center line accentuates the two 6-hour halves of the chapter1. The radial applied numerals allow space for the full additive VIIII. Who cares about visual imbalances?

 Roman numerals on an 'Italian time' lantern clock c.1580,
La Misura del Tempo
 
17th c.

An English lantern clock dial  c.1623.

Roman numerals on an English lantern clock dial  c.1623.
Bonhams

The chapter ring1 of Christiaan Huygens' first pendulum clock, 1657, marking not just minutes, but a turning point in horological historythe dawn of precise timekeeping.

The chapter ring1 of Christiaan Huygens' first pendulum clock, 1657.
Museum Boerhaave

It’s a quarter to eight on this backlit Italian night clock dial from the late 17th century, with 'wandering hours' moving
across an ajour arc-shaped quarter chapter1.

It’s a quarter to eight on this backlit Italian night clock dial from the late 17th century, with 'wandering hours' moving
Easy live Auction

Another 'Italian time'3 late 17th c. lantern clock dial, displaying 'sunset hours' within the first quarter of the chapter1 whose divisions are not entirely evenly spaced. The crude engraving lacking the refinement of a skilled hand, 

A Roman numeral IIII on an 'Italian time' late 17th c. lantern clock dial.
J.Venema

The dial of an English
longcase clock with Roman-striking c.1680, hence the silvered chapter ring1 with subtractive IV.

Roman numerals on the dial of an English longcase clock with Roman-striking c.1680,
Carter Marsh

An English lantern
clock dial with a small alarm time setting disk, c. 1690.

Roman numeral IIII on an English lantern clock dial.
Carter Marsh
 
18th c.

A  6-hour 'Italian time'3 lantern clock dial, with later 12-hour extension, early 18th c.

Roman numeral IIII on a 6-hour 'Italian time' lantern clock dial.
Sotheby's

A dial with 12 enamel cartouches  (cadran á douze) early 18th c.

Roman numerals on a clock dial with 12 enamel cartouches  (cadran á douze) early 18th c.
Mentink & Roest

A mid 18th c. Louis XV French mantel clock dial.

Roman numerals on a mid 18th c. Louis XV French mantel clock dial.
La Pendulerie

A mid-18th-century Italian lantern clock dial featuring a quarter chapter1. Quarter chapters had become increasingly uncommon over the course of the 18th century.


Bonhams

The painted dial
 of a Dutch wall clock,
c. 1760.


Gude Meis

A quarter striking Italian longcase clock with 'wandering' (rotating)
 12 hour chapter1, c. 1770.


La Misura del Tempo

The lavishly decorated dial of a French table regulator clock c.1780, featuring equation of time, annual calendar, and signs of the zodiac.


La Pendulerie.

An English 24 hour tidal longcase clock dial with both additive and subtractive
 numerals 4, c.1780.


The Antique Clock co.

A late 18th-century French mantel clock with a dial of refined decoration, also marking the days of the month.


La Pendulerie

The horizontal rotating dial (cercle tournant) with enamel cartouches of a late 18th-century French vase clock.

  
La Pendulerie

A French mantel clock dial c.1795, displaying the newly introduced revolutionary Decimal Time4 on the inner chapter while the outer chapter retains conventional Gregorian hours.


Les Heures Revolutionnaires
 
19th c.

A clean Empire wall clock dial, c.1800 .


Gude Meis

The silvered dial of a Vienna regulator wall clock, c.1830.


Mentink & Roest

The Gothic revival dial of the Westminster tower clock with subtractive IV, c.1859

A Neo Gothic English skeleton clock dial, c.1870

A US Ansonia
 wall clock dial.
 New York,  c. 1895

 
20th c.

A German Jugendstil mantel clock dial with subtractive IV, c. 1903


Quittenbaum

An Art Deco desk
clock dial, c. 1920

Roman numeral IIII on a Cartier desk clock dial.
Marjan Sterk

An Art Deco mantel
clock dial, c. 1925


Christie's

A  Cartier carriage clock face, 'Cadran Breveté'
c. 1928


Bonhams

An Art Deco desk
clock dial, c. 1929


Christie's

An Art Deco desk
clock dial, c. 1929


Ms Rau

An Art Deco mantel
clock dial, c. 1930


A  J. L. Reutter Art Deco Atmos clock dial, c. 1935


Gude Meis
       
* 14th c.       *15th c. * 16th c. * 17th c. * 18th c. * 19th c. * 20th c.

* The compact substractive numerals         *The established ancient IIII
*The subtractive IV was rarely used         *Roman numerals on dials through the ages

Notes
1  Chapters.
In a horological context, a chapter is the scale of divisions and markings -such as numbers or signs- used to read the time and related indications on a dial. These markings may be engraved, painted, printed or otherwise applied, either directly onto the dial or on attached elements like 'cartouches' or a 'chapter ring'.


2  Imbalances.
Correcting the IIII
II imbalance would in turn create a new, albeit relatively minor, IVVIII imbalance.

3  Italian 6-hour time.
The temporal system emerged in the Middle Ages in the Papal States, rooted in monastic timekeeping and canonical hours. The day began about half an hour after sunset and was divided into
four six-hour segments -evening, night, morning, afternoon-. Sundials already measured the sun’s course in two approximately six-hour spans -one before and one after the noon reference line (mid-day).
By the late 18th and early 19th centuries, as standardization and modernization increased, the Italian six-hour system fell out of use in practical timekeeping.

4  French Revolutionary Decimal Time.
A short-lived system introduced during the French Revolution (1793–1805) as part of a broader attempt to decimalize all aspects of daily life (calendar, measurements, currency, etc.).
Each day was divided in 10 hours of 100 minutes.
Here is more on decimal time.


This article is subject to ongoing updates.















More on this subject

https://en.wikipedia.org/wiki/Roman_numerals

http://www.web40571.clarahost.co.uk/roman/clockface.htm


Acknowledgments

Illustrations: Bonhams. British museum. Carter Marsh. Gude Meis. Joachim Köhler. Koller auctioneers. Guiseppe Brusa, La misura del tempo. La Pendulerie. Yves Droz et Joseph Flores, Les Heures Revolutionnaires. Mentink & Roest. Museum Boerhaave. Quittenbaum Kunstauktionen. San Domenico Bologna. Sotheby's. TheMET. Wells Cathedral.

The Horological Foundation gratefully acknowledges
Jo Dickenson-Schepp for her highly esteemed contributions.


Links

Bonhams
British museum
Carter Marsh
GudeMeis
Koller auctioneers
Guiseppe Brusa La misura del tempo
La Pendulerie
Mentink & Roest
Museum Boerhaave
Quittenbaum Kunstauktionen

The MET